- Howlin’ Wolf, Mr. Lee’s Lounge, September 12, 1962Gelatin silver photograph. c. 1960s print. Titled and dated in pencil by artist with artist stamp on print verso. Illustrated variant pg.40-41 in Chicago Blues as seen from the inside: The photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
9 7/16 X 7 1/2 inches - Little Brother Montgomery, 1962Gelatin silver photograph. c.1960s print. Artist stamp on print verso.Illustrated pg. 72 in Chicago Blues as seen from the inside: The photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
8 1/2 X 5 5/8 inches - Mississippi John Hurt, University of Chicago, Mandel Hall, November 1, 1965Gelatin silver photograph. c.1960s print. Titled and dated in pencil by artist with artist stamp on print verso. Illustrated variant pg. 90 in Chicago Blues as seen from the inside: The photographs of Raeburn Flerlage, Toronto: ECW Press, 2000Contact For Pricing & Availability
6 3/16 X 9 7/16 inches - Buddy Guy, 1966Gelatin silver photograph. c.1960s print. Artist stamp on print verso. Illustrated variant pg. 118-119 in Chicago Blues as seen from the inside: The photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
5 15/16 X 8 7/8 inches - Pete Seeger with Banjo, Orchestra Hall, Chicago, October 8, 1960Gelatin silver photograph. Later print. Titled in pencil with artist's stamp on print verso.Contact For Pricing & Availability
5 3/4 X 8 3/8 inches - James Brown, Chicago, 1960sGelatin silver photograph. Later print. Titled in pencil with artist's stamp on print verso.Contact For Pricing & Availability
8 3/4 X 5 13/16 inches - Koko Taylor in the Role of Fan Visiting Lightnin’ Hopkins, Western Hall, 1965Gelatin silver photograph. Later print. Titled in pencil with artist's stamp on print verso.Contact For Pricing & Availability
9 1/2 X 7 7/8 inches - Big Walter Horton, Floyd Jones, Sunnyland Slim, Big Joe Williams, Third University of Chicago Folk Festival, February 1, 1962Gelatin silver photograph. Later print. Titled in pencil with artist's stamp on print verso. Illustrated pg. 69 in Chicago Blues as seen from the inside: The photographs of Raeburn Flerlage, Toronto: ECW Press, 2000Contact For Pricing & Availability
5 11/16 X 8 9/16 inches - Howlin’ Wolf at Mr. Lee’s Lounge, Southside, Chicago, 1962Gelatin silver photograph. Later print. Titled in pencil with artist's stamp on print verso. Illustrated pg. 41 in Chicago Blues as seen from the inside: The photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
9 7/16 X 7 1/2 inches - Howlin’ Wolf at Mr. Lee’s Lounge, Southside, Chicago, 1962Gelatin silver photograph. c. 1960s print. Titled in pencil with artist's stamp on print verso. Illustrated pg. 40 in Chicago Blues as seen from the inside: The photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
9 7/16 X 7 1/2 inches - Bob Dylan, Orchestra Hall, December 27, 1963Gelatin silver photograph. Later print. Artist stamp on print verso. Illustrated pg. 86 in Chicago Folk, Images of the Sixties Music Scene, The Photographs of Raeburn Flerlage, Toronto: ECW Press, 2009.Contact For Pricing & Availability
7 3/8 X 9 7/16 inches - The Howlin’ Wolf Band at Sylvio’s, Hubert Sumlin, Johnny Jones, Willies Young, Andrew “Blue Blood” McMahon, Cassell Burrow, 1964Gelatin silver photograph. Later print. Illustrated pg. 46 in Chicago Blues as seen from the inside: The photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
6 1/4 X 9 3/8 inches - Jackie Wilson at the Trianon, 1964Gelatin silver resin-coated photograph. Later print. Artist stamp and titled in pencil by artist on print verso.Contact For Pricing & Availability
6 3/8 X 9 7/16 inches - B.B. King at Regal Theatre, 1964Gelatin silver resin-coated photograph. Later print. Artist stamp, titled and dated in pencil by artist on print verso.Contact For Pricing & Availability
9 15/16 X 7 15/16 inches - Muddy Waters with Mojo Buford, Pepper’s Lounge, 1961Gelatin silver photograph. Later print. Artist stamp on print verso. Illustrated pg. 109 in Chicago Blues as seen from the inside:The Photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
7 7/16 X 9 3/8 inches - Memphis Slim, First Session for Folkways Records, 1959Gelatin silver photograph. Later print. Artist stamp on print verso. Illustrated pg. 62 in Chicago Blues as seen from the inside:The Photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
7 1/4 X 7 1/8 inches - Memphis Slim, First Session for Folkways Records, 1959Gelatin silver photograph. Later print. Artist stamp, titled and signed in pencil by artist on print verso.Contact For Pricing & Availability
6 5/16 X 9 1/2 inches - Otis Spann on Piano with James Cotton Rehearsing in Muddy’s Water’s Basement, 1965Gelatin silver photograph. Later print. Titled and dated in pencil by artist with stamp on print verso. lllustrated pg. 15 in Chicago Blues as seen from the inside:The Photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
7 1/2 X 9 inches - John Lee Hooker, Sutherland Hotel, 1964Gelatin silver photograph. c. 1970s-80s print. Artist stamp on print verso. lllustrated pg. 36 in Chicago Blues as seen from the inside:The Photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
6 X 8 3/4 inches - Odetta, 1959Gelatin silver photograph. Later print.Contact For Pricing & Availability
9 7/16 X 7 7/16 inches - Odetta, Gate of Horn, 1959Gelatin silver photograph. Later print. Artist stamp and titled in pencil by artist on print verso. lllustrated variant pg. 84 in Chicago Blues as seen from the inside:The Photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
6 7/16 X 4 7/16 inches - Muddy Waters and James Cotton, Down Beat Jazz Festival, 1965Gelatin silver photograph. Later print. Illustrated pg. 107 in Chicago Blues as seen from the inside:The Photographs of Raeburn Flerlage, Toronto: ECContact For Pricing & Availability
8 3/8 X 12 9/16 inches - At a Lightnin’ Hopkins Concert, Western Hall, Chicago, 1965Gelatin silver photograph.Later print. Illustrated pg. 59 in Chicago Blues as seen from the inside:The Photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
12 X 17 13/16 inches - Otis Spann on Piano, 1965Gelatin silver resin-coated photograph. Later print. Artist stamp 'Louise and Raeburn Flerlage' on print verso. Illustrated variant pg. 15 in Chicago Blues as seen from the inside:The Photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
10 9/16 X 10 5/8 inches - Jackie Wilson, 1964Gelatin silver photograph. Later print. Artist stamp on print verso. Illustrated pg. 143 in Chicago Blues as seen from the inside:The Photographs of Raeburn Flerlage, Toronto: ECW Press, 2000.Contact For Pricing & Availability
9 X 13 3/16 inches
Raeburn Flerlage
Raeburn Flerlage (1915-2002) was born in Cincinnati, Ohio and worked in the music industry for most of his life. He held jobs in publicity for radio stations, writing concert reviews and music columns for various newspapers, and even served as a director of industrial music at an industrial war plant during World War II. After the war, Flerlage was offered a job as the Midwest Executive Secretary for a folk music organization, People’s Songs, founded in New York in 1945 by Pete Seeger, Alan Lomax, Lee Hays and others. This brought him to Chicago for the first time. Though he didn’t stay in the city at that time, he returned once again in 1955 when he took a job with Moe Asch’s Folkways Records. By this time, Flerlage had started to experiment with photography and once back in Chicago, he took classes at the Art Institute of Chicago and the Institute of Design, under Harry Callahan. In 1959, Moe Asch gave Flerlage his first professional photography job, photographing Memphis Slim for a Folkways album cover. This launched his photography career and Flerlage continued to photograph prominent blues and folk artists throughout the 1960s. He documented musicians such as Howlin’ Wolf, Muddy Waters, John Lee Hooker, Odetta, John Coltrane, Bob Dylan, and many others at the pinnacles of their careers. His photographs have appeared internationally in countless magazines and books and have been featured on hundreds of albums, CDs, and videos. He was a senior member of the American Society of Magazine Photographers. Flerlage lived in Hyde Park, Chicago, working on radio shows until the mid-1980s. His work has been published in the books Chicago Blues: As Seen from the Inside (2000) and Chicago Folk: Images of the Sixties Music Scene (2009). Flerlage died in Chicago in 2002.
Exhibitions
ArrayNo Upcoming Exhibitions
Publications
No Artist Publications