- Fashion Shoot for Grey Magazine, Bristol, England, 2012Pigment print. 2013 print. Signed, titled, dated and editioned '1/10' in ink by artist on print verso.Contact For Pricing & Availability
20 X 30 inches - Carnival Cruise Ship, Tulum, Mexico, 2002Lambda print. 2013 print. Signed, titled, dated and editioned '2/10' in ink by artist on print verso.Contact For Pricing & Availability
20 X 30 inches - The Grand Canyon, Arizona, 1994Chromogenic photograph. 2013 print. Signed, titled, dated and editioned '4/25' in ink by artist on print verso.Contact For Pricing & Availability
20 X 24 inches - Acropolis, Athens, Greece, 1991Chromogenic photograph. 2013 print. Signed, titled, dated and editioned '17/25' in ink by artist on print verso.Contact For Pricing & Availability
20 X 24 inches - The Leaning Tower of Pisa, Pisa, Italy, 1990Chromogenic photograph. 2013 print. Edition of 6.Contact For Pricing & Availability
40 X 50 inches - Goa, India, 1993Chromogenic photograph. 2013 print. Signed, titled, dated and editioned '6/25' in ink by artist on print verso.Contact For Pricing & Availability
20 X 24 inches - Kuta, Bali, Indonesia, 1993Pigment print. 2013 print. Signed, titled, dated and editioned '1/10' in ink by artist on print verso.Contact For Pricing & Availability
20 X 24 inches - Yalta, Ukraine, 1995Pigment print. 2013 print. Signed, titled, dated and editioned '2/10' in ink by artist on print verso.Contact For Pricing & Availability
20 X 24 inches - Glenbeigh Races, County Kerry, Ireland, 1980-83Gelatin silver photograph. 2013 print. Signed, titled and dated in pencil by artist on print verso. Illustrated front cover in A Fair Day, Photographs from the West of Ireland by Martin Parr, Wallasey: Promenade Press, 1984.Contact For Pricing & Availability
7 7/8 X 12 inches - Steep Lane Baptist Chapel, Yorkshire, 1976-78Gelatin silver photograph. 2007 print. Signed, titled and dated in pencil by artist on print verso.Contact For Pricing & Availability
12 X 8 1/2 inches - June Street, England, 1973Gelatin silver photograph. 2013 print. Signed, titled and dated in pencil by artist on print verso.Contact For Pricing & Availability
11 X 10 7/8 inches - Rusholme, Manchester, 1975Gelatin silver photograph. c. 1975 print. Signed, titled and dated in pencil by artist on print verso.Contact For Pricing & Availability
6 9/16 X 10 inches - Halifax Rugby League Club Ground, Halifax, West Yorkshire, England, 1977Gelatin silver photograph. c. 1977 print. Signed, titled, dated and annotated 'Published in Photo Annual 1980' in pencil by artist on print verso.Contact For Pricing & Availability
6 5/16 X 9 1/2 inches - Crimsworth Dean Methodist Chapel, England, 1978Gelatin silver photograph. c. 1978 print. Signed, titled and dated in pencil by artist on print verso.Contact For Pricing & Availability
6 5/16 X 9 5/8 inches - Tom Greenwood Cleaning, Hebden Bridge, Yorkshire, England, 1974Gelatin silver photograph. Late 1970s print. Signed and dated in pencil by artist on print verso.Contact For Pricing & Availability
11 15/16 X 8 inches - Fashion Magazine: Jockeys, 2004Lamda print. Signed and editioned 4/10 by artist on label on dibond mount verso.Contact For Pricing & Availability
29 X 24 inches - Surrey Bird Club Outing, 1972Gelatin silver photograph. 2009 print. Signed, titled, and dated in pencil by artist on print verso.Contact For Pricing & Availability
8 1/16 X 12 inches - Bad Weather, 1981Gelatin silver photograph. Signed, titled, and dated in pencil by artist on print verso.Contact For Pricing & Availability
8 X 12 inches - Common Sense, 1998Chromogenic photograph. Signed, dated and editioned 23/25 by artist on label on aluminum mount verso. Ref. MP-99-2019page ref. 32Contact For Pricing & Availability
19 1/2 X 29 1/2 inches - Fashion Magazine: Fashion Shoot, New York, 1999Lamda print. Signed and editioned 5/5 by artist on label on aluminum mount verso.Contact For Pricing & Availability
50 X 41 1/4 inches - Fashion Magazine: Jockeys, 2004Lamda print. Signed by artist on verso. Edition of 10.Contact For Pricing & Availability
30 1/ X 24 1/4 inches - Fashion Magazine: Jockeys, 2004Lamda print. Signed by artist on verso. Edition of 10.Contact For Pricing & Availability
30 1/4 X 24 1/4 inches - The Last Resort, 1983-86Chromogenic photograph. Signed, titled, and dated in pen by artist on print verso.Contact For Pricing & Availability
20 X 24 inches - Fashion Magazine: Jockeys, 2004Lamda print. Signed by artist on verso. Edition of 10.Contact For Pricing & Availability
28 3/4 X 24 1/4 inches - The Last Resort, 1983-86Chromogenic photograph. Signed, titled, and dated in pen by artist on print verso.Contact For Pricing & Availability
20 X 24 inches - Common Sense 66, 1995-99Chromogenic photograph. 1998 print. Signed, dated and editioned 3/10 by artist on print verso. Ref. MP-99-2223, page ref. 66Contact For Pricing & Availability
19 3/8 X 29 1/2 inches - Common Sense, 1999Chromogenic photograph. 1999 print. Signed, dated and editioned 6/10 by artist on label on aluminum mount verso. Ref. MP-99-14-38 page ref. 34.Contact For Pricing & Availability
19 1/2 X 29 1/2 inches
Martin Parr
Martin Parr (1952- ) was born in Epsom, Surrey, U.K. When he was a boy, his budding interest in the medium of photography was encouraged by his grandfather George Parr, himself a member of the Royal Photographic Society and keen amateur photographer. Parr studied the subject at Manchester Polytechnic from 1970 to 1973. Since that time, he has worked on numerous photographic and photographic book projects. Parr has developed an international reputation for highly innovative, unapologetically sensational and humorously subversive imagery, centered on the all-too-human condition. He likes to take aim particularly at the subject of the social classes of England and more broadly at the wealth of the Western world. Part photographer, part anthropologist, part comedian – Parr’s satiric, oblique approach to social documentary has made him stand out against the more sober approaches of his colleagues at Magnum Photos, where he has been a full member since 1994. He has a gift for embracing and undermining his subjects in a single frame, all the while paying attention to fine design and saturated color, in which he has worked almost exclusively in the last years. Major projects include “Rural Communities” (1975-1982),“The Last Resort” (1983-1985), “The Cost of Living” (1987-1989), “Small World” (1987-1994), and “Common Sense” (1995-1999). Most of his projects have been published in book form and to date Parr has more than 40 volumes. Parr is also an obsessive collector of other artist’ books and in conjunction with Gerry Badger, Parr has put together, The Photobook: A History, (in three volumes). He has also been a frequent guest curator of others’ works. In recent years, Parr has developed an interest in making television, documentary and other films. And he has started to use his photography within different conventions, such as fashion and advertising. In 2002 a large retrospective of Parr’s work was initiated by the Barbican Art Gallery and the National Museum. In 2004, Parr became Professor of Photography at the University of Wales, Newport. In 2005, he was appointed an Honorary Fellow of the Royal Photographic Society. In 2008, Parr was given the Centenary Medal, Royal Photographic Society. In 2008 Parr was awarded a Lifetime Achievement Award, by PHotoEspaña. Parr has works in many major institutions as well as numerous private collections.
To quote the artist, “The fundamental thing I’m exploring constantly is the difference between the mythology of the place and the reality of it… Remember I make serious photographs disguised as entertainment. That’s part of my mantra. I make the pictures acceptable in order to find the audience but deep down there’s actually a lot going on that’s not sharply written in your face. If you want to read it, you can read it.”